The Homino is the essence of the human being.
A silent projection of it, static and dynamic at the same time.
The Homino observes the world, creates its border, thin, imprecise, fallible, raw. Representation of thought and of daily life, it moves through the idea blueprint.
 

HominI is a representation of the Bogas’ conceptual Idea.
 
The idea of the human being and his shape that goes beyond surrealism and expressionism.  The Homino, dynamic in his staticity, is alive.
It is the plane of vision that is different. It is the Homino itself observing the visitor. 
The Homino shows, by means of his shape and dynamicity, his own character in order to then fill himself out and integrate with that of the observer. 

His internal emptiness is exactly filled out by the observer, who completes him by looking at him. 

After Giacometti, next to Surrealism, but also to Expressionism, The Homino by the Bogas is presence yet at the same time also absence.
It is the search for essentiality, SHAPE, DYNAMICS, which holds all his content of vitality, energy, thaumaturgy.
 
The informal that becomes formal, the same but different, one more step forward on the road to understanding and knowledge.

Art comes back to move and excite, tangible and usable by everybody and anybody, no ifs or buts.